Oxford University Press eBooks,
Год журнала:
2024,
Номер
unknown, С. 1 - 31
Опубликована: Ноя. 13, 2024
Abstract
The
introductory
chapter,
titled
“Introduction:
‘New
York
Brazilian
Jazz,’
”
argues
that
jazz
in
New
City
has
different
cultural
meanings
than
the
music
Brazil,
comparing
author’s
fieldwork
to
studies
based
Brazil.
musicians
United
States
try
assimilate
musically
and
culturally
order
build
careers
industry;
whereas
scholars
of
where
latter
is
called
“instrumental
music,”
have
emphasized
nationalist
responses
historical
tensions
US-Brazil
relations
anxieties
about
US
imperialism.
introduction
defines
jazz,
situates
its
place
York’s
industry,
summarizes
goals
work
internationally
diverse,
professional
who
played
between
2000
2020.
After
summarizing
book
chapters,
it
concludes
with
research
methods,
positionality,
subjectivity.
Oxford University Press eBooks,
Год журнала:
2024,
Номер
unknown, С. 183 - 212
Опубликована: Ноя. 13, 2024
Abstract
Chapter
5,
“From
CDs
to
Covid-19:
Professional
Agency
in
Volatile
Industries,”
explains
changing
business
practices
that
have
affected
Brazilian
jazz
New
York
between
2000
and
the
Covid-19
pandemic
started
2020.
It
introduces
theories
from
popular
music
studies,
musicology,
view
music,
culture,
institutions,
capitalist
industries
as
a
holistic
system,
emphasize
agency
strategies
of
professionals.
People
work
local
market
supports
primarily
because
their
passion
for
yet
they
must
exercise
savvy
survive,
let
alone
accomplish
ambitious
goals.
The
chapter
then
venues
record
labels
during
2010s
contrast
each
preceding
two
decades.
Starting
2020,
experiences
musicians
presenters
exemplify
contrasting
ways
adopted
new
technologies
pivoted
practices.
Oxford University Press eBooks,
Год журнала:
2024,
Номер
unknown, С. 149 - 182
Опубликована: Ноя. 13, 2024
Abstract
Chapter
4,
“Samba
Jazz
at
Carnegie
Hall:
Genre
Fusion
in
Instrumental
Music,”
explains
how
professional
musicians
who
played
Brazilian
jazz
New
York
City
between
2000
and
2020
created
performed
improvised,
up-tempo,
instrumental
music
that
is
related
to
bossa
nova.
After
considering
musical
fusion
as
its
own
genre
addition
a
combination
of
stylistic
ingredients,
the
chapter
describes
practices
compositions
influential
Yorkers.
The
instrumentation
harmony
prevalent.
Drummers
transferred
rhythms,
timbres,
roles
samba
percussion
drum
set
ways
align
with
conventional
drumming.
Musicians
commingle
swing
feels
(patterned
uneven
micro-durations
notes)
jazz.
also
utilizes
instructional
method
books
written
by
several
local
musicians.
Oxford University Press eBooks,
Год журнала:
2024,
Номер
unknown, С. 70 - 110
Опубликована: Ноя. 13, 2024
Abstract
Chapter
2,
“SamBop,
Brazuca,
and
Transnational
Polymusicalities,”
uses
the
framework
of
transnational
polymusicalities—combining
transnationalism
with
ethnomusicology
theory
bimusicality—to
interpret
professional
musicians
who
played
Brazilian
jazz
in
New
York
City
between
2000
2020.
The
developed
affinities
identifications
Brazil
United
States
through
their
prolonged
study
practice
music,
gaining
intercultural
competencies
language,
customs,
history,
interpersonal
relations.
A
discourse
among
about
musical
accents,
akin
to
spoken
concerns
shortcomings
a
second
music
tradition
relates
assimilation.
Despite
these
competencies,
there
are
potential
critiques
inauthenticity
appropriation.
Theories
diaspora,
Afro-Atlantic,
cosmopolitanism,
postnationalism
provide
alternative
overlapping
insights.
Example
profiled.
Oxford University Press eBooks,
Год журнала:
2024,
Номер
unknown, С. 111 - 148
Опубликована: Ноя. 13, 2024
Abstract
Chapter
3,
“
‘Bossa
Nova
York’:
Popularity,
Singers,
and
Anxieties,”
discusses
several
topics
concerning
the
prominence
of
bossa
nova
among
Brazilian-jazz
fusions
in
New
York
City
between
2000
2020
its
relationships
with
jazz.
A
comparison
renditions
song
“Dindi”
by
Antônio
Carlos
Jobim
Aloysio
de
Oliveira
illustrates
distinctive
musical
interpretations
nuances
notation.
Portraits
three
prominent
singers
nova—Maúcha
Adnet,
Luciana
Souza,
Vinícius
Cantuária—highlight
their
connections
to
jazz
practices
interpretation,
improvisation,
experimentation.
Turning
North
American
stereotypes
Brazil,
suggests
alternative
notions
Brazilian
femininity
romantic
intimacy
compared
prevailing
stereotype
abroad
dancing
women
Carnival
parades
hypersexuality.
Lastly,
musicians
hold
differing
opinions
about
popularity
York’s
industry,
which
has
caused
anxieties
for
those
who
try
perform
other
types
Oxford University Press eBooks,
Год журнала:
2024,
Номер
unknown, С. 1 - 31
Опубликована: Ноя. 13, 2024
Abstract
The
introductory
chapter,
titled
“Introduction:
‘New
York
Brazilian
Jazz,’
”
argues
that
jazz
in
New
City
has
different
cultural
meanings
than
the
music
Brazil,
comparing
author’s
fieldwork
to
studies
based
Brazil.
musicians
United
States
try
assimilate
musically
and
culturally
order
build
careers
industry;
whereas
scholars
of
where
latter
is
called
“instrumental
music,”
have
emphasized
nationalist
responses
historical
tensions
US-Brazil
relations
anxieties
about
US
imperialism.
introduction
defines
jazz,
situates
its
place
York’s
industry,
summarizes
goals
work
internationally
diverse,
professional
who
played
between
2000
2020.
After
summarizing
book
chapters,
it
concludes
with
research
methods,
positionality,
subjectivity.
