You are the main character: attribution and visibility on TikTok DOI
Elizabeth Losh

New Review of Hypermedia and Multimedia, Год журнала: 2024, Номер unknown, С. 1 - 15

Опубликована: Ноя. 1, 2024

Hypertext theory from the 1990s and database 2000s still provide a useful foundation for explaining new authoring practices on video-sharing platform TikTok, but this earlier literature may underestimate importance of labour. Because hyperlinking is automated whenever composers select filters, hashtags, audio clips, author references to other videos "stitching" "dueting" remix pre-existing databases material, TikTok characterised by rich attributional citation. At same time, site's users are keenly aware that search recommendation algorithms not showcase their published materials additional labour be required contributions visible in larger hyperlinked matrix participation. Users also choose de-link content or others. Case studies drawn variations 2020 "main character" meme, 2023 moral panic about supposedly dangerous "boat jumping" "trend", Ukrainian "war influencers".

Язык: Английский

Platform gaslighting: A user-centric insight into social media corporate communications of content moderation DOI
Tom Divon, Carolina Are, Pam Briggs

и другие.

Deleted Journal, Год журнала: 2025, Номер 2

Опубликована: Янв. 1, 2025

This paper delves into communications dynamics between social media platforms and their users as they navigate the opacity of governance policies. Using Meta TikTok case studies, we reveal that gaslighting – traditionally linked with relationship abuse where one partner undermines validity other's experience has become a pervasive communication strategy for platforms, manifesting in numerous instances automated human platform have directly contradicted users’ experiences, evidence research. We analyse 36 diverse interview datasets six public responses to content moderation issues, highlighting systemic nature this phenomenon within digital spaces. By moving beyond shadowbanning isolated platform-to-user dialogue, expand scholarly understanding encompass broader spectrum governance-related communications. Our dataset draws from seemingly disparate groups who share experiences: Jewish creators engaged combating antisemitism, Palestinian advocating rights sex-positive creators, whose expertise stories are dismissed belittled by platforms. participants' experiences demonstrate conceptualising can help expose corporate power imbalances platform-user interactions, particularly cases govern through undisclosed practices such de-platforming triggered malicious flagging, along ambiguous representatives. how dismissal or minimisation participants’ traumatic platforms’ processes teams is weaponised inflict epistemic injustice, consolidate power, safeguard image evade accountability.

Язык: Английский

Процитировано

0

Children as concealed commodities: Ethnographic nuances and legal implications of kidfluencers’ monetisation on TikTok DOI Creative Commons
Tom Divon,

Taylor Annabell,

Cătălina Goanță

и другие.

New Media & Society, Год журнала: 2025, Номер unknown

Опубликована: Янв. 19, 2025

Our article delves into the emergence of ‘kidfluencers’ within content creator economy, highlighting how children’s participation intertwines their identities with monetisation strategies on platforms. Focusing TikTok, we blend ethnographic and legal analysis 215 videos from 23 kidfluencers in Israel, New Zealand Unites States, illuminating complexities monetising childhood across cultures. We highlight four visibility practices which children are exposed, mobilised commodified parents’ content: (1) kids as props; brands playmates, (2) transactional childhood, (3) aspirational child-ification (4) regulative parenthood. shows become concealed commodities, varying degrees (in)visibility practices, playful branded to embodying idealised notions for brand visibility. situate our regulatory frameworks, revealing TikTok’s policies conceal role monetised content, reflect platform liability under European Union’s Digital Services Act.

Язык: Английский

Процитировано

0

Public attitudes toward the Israeli-Palestinian conflict in China: A text mining analysis DOI
Xuefan Dong,

Chen Wang,

Ying Lian

и другие.

Telematics and Informatics, Год журнала: 2025, Номер unknown, С. 102243 - 102243

Опубликована: Янв. 1, 2025

Язык: Английский

Процитировано

0

UFOs, ghosts, and cryptids on TikTok: How short-form videos on a social media platform present paranormal phenomena DOI
Paul R. Brewer,

Avi Holtz,

Clara Mey

и другие.

Atlantic Journal of Communication, Год журнала: 2025, Номер unknown, С. 1 - 20

Опубликована: Апрель 8, 2025

Язык: Английский

Процитировано

0

Von Hashtags und Geschichte: Vergangenheitsbezogene Hate Speech und ihre Multimodalität auf TikTok DOI Creative Commons

Andrea Silvia Lorenz

Publizistik, Год журнала: 2025, Номер unknown

Опубликована: Апрель 16, 2025

Процитировано

0

You are the main character: attribution and visibility on TikTok DOI
Elizabeth Losh

New Review of Hypermedia and Multimedia, Год журнала: 2024, Номер unknown, С. 1 - 15

Опубликована: Ноя. 1, 2024

Hypertext theory from the 1990s and database 2000s still provide a useful foundation for explaining new authoring practices on video-sharing platform TikTok, but this earlier literature may underestimate importance of labour. Because hyperlinking is automated whenever composers select filters, hashtags, audio clips, author references to other videos "stitching" "dueting" remix pre-existing databases material, TikTok characterised by rich attributional citation. At same time, site's users are keenly aware that search recommendation algorithms not showcase their published materials additional labour be required contributions visible in larger hyperlinked matrix participation. Users also choose de-link content or others. Case studies drawn variations 2020 "main character" meme, 2023 moral panic about supposedly dangerous "boat jumping" "trend", Ukrainian "war influencers".

Язык: Английский

Процитировано

0