Determinants of Anxiety, Depression and Subjective Wellbeing Among Musicians in Denmark: Findings From the ‘When Music Speaks’ Project
Scandinavian Journal of Psychology,
Год журнала:
2025,
Номер
unknown
Опубликована: Фев. 10, 2025
ABSTRACT
Some
studies
have
suggested
that
professional
musicians
may
suffer
from
elevated
levels
of
mental
ill
health
compared
to
both
non‐professional
and
the
general
public.
The
aim
this
study
was
explore
anxiety,
depression,
subjective
wellbeing
among
in
a
country
famed
for
high
wellbeing:
Denmark.
More
specifically,
we
sought
evaluate
impact
age,
gender,
income,
career
status
(SCS)–that
is,
seeing
music
as
one's
main
career—on
these
variables.
986
range
stages
genres
(both
popular—or
rhythmic
it
is
referred
Denmark—and
classical)
completed
survey
measuring
anxiety
depression
using
Hospital
Anxiety
Depression
Scale
(HADS)
Cantril's
self‐anchoring
scale.
Multiple
regression
models
were
used
relationship
between
four
independent
variables
our
three
outcome
measure
scores.
Additionally,
sample
split
on
basis
their
respective
significant
predictor
combined
order
observe
between‐group
differences.
Firstly,
found
SCS—but
not
income—significantly
predicted
Being
younger,
being
female,
viewing
music‐making
all
higher
anxiety.
Demographic
group
comparisons
confirmed
younger
female
who
viewed
particularly
at
risk
comparison
other
groups.
Secondly,
age
(younger)
gender
(female)
also
predictors
scores,
but
SCS
income
category
not.
Lastly,
(younger),
(female),
(membership
lowest
categories)
lower
scores
measure.
fact
did
significantly
predict
or
either
experienced
by
career‐oriented
might
relate
least
be
solely
income‐related.
Our
findings
contribute
towards
literature
seeks
better
understand
determinants
research
into
Demark
more
generally.
Язык: Английский
To Perform or Not to Perform: Exploring the Impact of COVID‐19 on Aotearoa New Zealand's Performing Arts Sector
The Journal of Creative Behavior,
Год журнала:
2024,
Номер
unknown
Опубликована: Окт. 26, 2024
ABSTRACT
This
article
explores
narratives
of
how
COVID‐19
impacted
the
performing
arts
sector,
by
drawing
on
interviews
with
creative
workers
in
Aotearoa
New
Zealand.
Despite
late
exposure
to
and
adoption
an
elimination
approach
that
afforded
opportunities
for
continue
varying
extents
between
2019
2022,
cultural
Zealand,
as
their
overseas
counterparts,
experienced
significant
consequential
disruption
working
conditions
lives.
Taking
into
account
specificity
Zealand's
sector
government's
response,
contributes
empirical
examination
experiences
teasing
out
impact
from
workers.
The
thematic
analysis
demonstrates
participants
presented
(1)
responsible
financial,
emotional,
psychological
costs,
(2)
framed
arising
disrupted
wage
subsidy
“silver
linings,”
(3)
were
reliant
digital
technologies,
(4)
constructed
return
“normal”
marked
“aftermath.”
argues
uniting
these
perceptions
articulations
is
ongoing
(re)evaluations
risks
benefits
predate
COVID‐19.
Язык: Английский
Basic income for creative justice: Weathering inequity in the creative industries during COVID-19
Journal of sociology,
Год журнала:
2024,
Номер
unknown
Опубликована: Сен. 27, 2024
The
idea
of
a
basic
income
has
produced
both
staunch
advocates
and
detractors
in
economic
policy
debates.
This
article
explores
the
potential
for
to
produce
more
just
outcomes
workers
cultural
sectors
by
focusing
on
case
study
music
industries
Melbourne,
Australia.
We
draw
data
from
2020
impact
COVID-19
pandemic
associated
public
health
response
Melbourne
explore
how
industry
experienced
loss
as
individualised
harms
uncertainties
about
their
roles
within
industry.
argue
that
Mark
Banks’
concept
‘creative
justice’
offers
means
evaluating
utility
limitations
achieving
equitable
industries.
Язык: Английский