Chiaroscuro Photogrammetry: Revolutionizing 3D Modeling in Low Light Conditions for Archaeological Sites DOI Creative Commons
Andrea Jalandoni, Robert Haubt, Keryn Walshe

et al.

Journal of Field Archaeology, Journal Year: 2024, Volume and Issue: unknown, P. 1 - 13

Published: July 17, 2024

Archaeologists working in low light conditions have had difficulty producing 3D models that are both scientific and aesthetic. We presenting chiaroscuro photogrammetry, a technique inspired by Renaissance artists, to solve this problem. The method is portable, inexpensive, impact, adaptable, fast, requires no additional expertise beyond photogrammetry. While first trialed on rock tree produced promising outcomes, the true test was panel of finger flutings completely dark chamber Koonalda Cave, South Australia. result model with evenly balanced deep colors, geometry free from holes visible artifacts. using photogrammetry visually geometrically accurate, even more so than flash Chiaroscuro has potential revolutionize modeling for variety archaeological contexts.

Language: Английский

Decoding Palaeolithic Hand Stencils: Age and Sex Identification Through Geometric Morphometrics DOI Creative Commons
Verónica Fernández‐Navarro,

D. Fidalgo Casares,

Daniel García Martínez

et al.

Journal of Archaeological Method and Theory, Journal Year: 2025, Volume and Issue: 32(1)

Published: Jan. 21, 2025

Language: Английский

Citations

0
Rising up: digital traces and performative Indigenous culture in Australian rock art DOI Creative Commons
Keryn Walshe, April Nowell

Antiquity, Journal Year: 2025, Volume and Issue: unknown, P. 1 - 14

Published: Feb. 24, 2025

Indigenous Australian art relies on motifs and figures to visually symbolise a traditional story, myth and/or ritual, encompassing narrated performance. In contrast, digital tracings or ‘finger flutings’ impressed into the soft precipitate covering cave surfaces are not typically considered symbolic expressions. Using Koonalda Cave in southern Australia as case study, authors argue that also operate within performative space, but without their narrator these undulating lines rendered silent. Here, emphasis is placed ritual maintenance spiritual propagation of prized food trade item would then ‘rise up’.

Language: Английский

Citations

0
Child in Time: Children as Liminal Agents in Upper Paleolithic Decorated Caves DOI Creative Commons
Ella Assaf,

Yafit Kedar,

Ran Barkai

et al.

Arts, Journal Year: 2025, Volume and Issue: 14(2), P. 27 - 27

Published: March 4, 2025

Among the multiple zoomorphic and geometric images that dominate Upper Paleolithic decorated cave walls in Europe, some intriguing human hand stencils finger flutings stand out. Dozens of these marks are attributed to toddlers children aged 2–12. Accompanied by older group members, they entered deep, oxygen-depleted sensory-deprived spaces, climbing crawling dark, wet, difficult-to-navigate environments where one might easily get lost or separated from group. So, why would anyone bring young into such dangerous locations? Relevant archaeological anthropological studies form basis our hypothesis journeys hunter-gatherers depths deep caves along with their should be seen framework active connection cosmos as practiced many indigenous societies worldwide. Indigenous often view liminal agents unique physical, cognitive, mental qualities allow them return supernatural realm more than adults. This makes especially adept mediators between world living spirits. In this paper, we examine children’s contribution creation art agents. Their presence (liminal spaces themselves) participation rock thus reflect role early cosmology ontology.

Language: Английский

Citations

0
Children as playful artists DOI
Izzy Wisher, Felix Riede, John Matthews

et al.

Hunter Gatherer Research, Journal Year: 2024, Volume and Issue: unknown, P. 1 - 39

Published: Nov. 28, 2024

Children’s agential behaviours in the archaeological record have often been overlooked. Despite efforts to centre children past through ‘an archaeology of childhood’, there remains a fundamental challenge rigorously distinguishing children’s from those adults. In Upper Palaeolithic art, this has addressed analysis anatomical measurements traces produced by hands and figures, demonstrating that were engaging artistic behaviours. However, dependency on limits cases for art. We here integrate developmental psychological research drawings into framework within which art can be identified, without needing rely measurements. This work emphasises intangible dimensions narrative play inherent modern making as starting point understanding artists Palaeolithic. Focusing case study Panel Masks Las Monedas cave (Cantabria, Spain), approach is demonstrated significant potential both detecting appreciating playful nature its making. further propose ways employed identify additional specific methods facilitate in-depth properties possible

Language: Английский

Citations

0
Chiaroscuro Photogrammetry: Revolutionizing 3D Modeling in Low Light Conditions for Archaeological Sites DOI Creative Commons
Andrea Jalandoni, Robert Haubt, Keryn Walshe

et al.

Journal of Field Archaeology, Journal Year: 2024, Volume and Issue: unknown, P. 1 - 13

Published: July 17, 2024

Archaeologists working in low light conditions have had difficulty producing 3D models that are both scientific and aesthetic. We presenting chiaroscuro photogrammetry, a technique inspired by Renaissance artists, to solve this problem. The method is portable, inexpensive, impact, adaptable, fast, requires no additional expertise beyond photogrammetry. While first trialed on rock tree produced promising outcomes, the true test was panel of finger flutings completely dark chamber Koonalda Cave, South Australia. result model with evenly balanced deep colors, geometry free from holes visible artifacts. using photogrammetry visually geometrically accurate, even more so than flash Chiaroscuro has potential revolutionize modeling for variety archaeological contexts.

Language: Английский

Citations

0