Arts Entrepreneurial Work in Changing Contexts

Artivate A Journal of Entrepreneurship in the Arts, Journal Year: 2025, Volume and Issue: 13

Published: Jan. 12, 2025

The COVID-19 pandemic significantly shifted the context of artistic and creative work, forcing individuals to adapt wide-reaching changes in way they operated both work life. Relying on interviews with data from 66 U.S.-based arts graduates, this article speaks needs sustaining life after first year pandemic. Interviewees related that their for a sustainable were primarily needed social physical distancing restrictions end, more time capacity be creative, monetary support. Ultimately, we argue changing required substantial entrepreneurial ability toward being adaptable, superseding creativity during Our findings reflect when entrepreneurs’ self-structured careers new or intensified effort non-arts aspects feelings of, for, may diminished.

Language: Английский

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Connecting creative aging research with context and practice: Commentary on “Creativity, aging, context and culture: Reimagining creativity in everyday life in older adults”

Possibility Studies & Society, Journal Year: 2025, Volume and Issue: unknown

Published: March 19, 2025

This commentary on Adams-Price and Morse’s article “Creativity, aging, context culture: Reimagining creativity in everyday life older adults” emphasizes extensions the topic of creative aging into social context, new analytic lenses, connections to public practice programming around aging. We suggest directions data sets for future inquiry reflect broadening conceptions expand past art match adults’ perceptions as being more than only artistic nature.

Language: Английский

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Portrait of the Artist as a Non-Artist. Matryoshka Roles and the Heteronomization of the Italian Art Field

Qualitative Sociology, Journal Year: 2024, Volume and Issue: 47(4), P. 571 - 602

Published: Oct. 25, 2024

Abstract This paper examines how Italian visual artists are now structurally encouraged to be proficient in performing activities unrelated field-specific criteria, or – use the words of one respondent why they supposed “be good at being incredibly doing stuff don’t know do.” Drawing on qualitative data ( N = 135), four dimensions unartistic yet binding concerns explored: networking relationality, bureaucratic “callification,” systemic politics, and outward visibility. To analyze this dynamic, concept “Matryoshka roles” is introduced. Although uncharacteristic artists’ work nested inside its surface depiction (Matryoshka), each dimension entails a set injunctions sanctioned behavior (roles) that reconfigure reality contemporary vitiate separation between internal vs. external principles hierarchization. Reflecting autonomy field art as transitory historical phase, mechanisms fields’ heteronomization addressed. By considering series factors (e.g., differences among early- late-career artists, presence social media, perception heteronomous practices, most distinctive accomplishments, career junctions), increasing pressure meta-fields economics, power, state detailed.

Language: Английский

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Preface

Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown, P. ix - x

Published: Nov. 13, 2024

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“Paying Dues” and “Carrying Flags”

Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown, P. 32 - 69

Published: Nov. 13, 2024

Abstract Chapter 1, “ ‘Paying Dues’ and ‘Carrying Flags’: Demographic Diversity Inequities among Musicians,” explains that systemic racism, sexism, classism caused imbalanced demographic diversity professional musicians who played Brazilian jazz in New York City between 2000 2020. An original dataset of 173 musicians, their instruments, social categories (nationality, race, gender) is compared to published data about immigrants the United States York. Approximately 70 percent are male white; half Brazilians, a quarter US-born Americans, rest immigrated from Japan, Israel, Canada, Europe, elsewhere South America. It compares racial categories, ideologies, inequities Brazil States, impact on transnational migrants. relates these dynamics potential critiques exploitative cultural appropriation.

Language: Английский

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From CDs to Covid-19

Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown, P. 183 - 212

Published: Nov. 13, 2024

Abstract Chapter 5, “From CDs to Covid-19: Professional Agency in Volatile Industries,” explains changing business practices that have affected Brazilian jazz New York between 2000 and the Covid-19 pandemic started 2020. It introduces theories from popular music studies, musicology, view music, culture, institutions, capitalist industries as a holistic system, emphasize agency strategies of professionals. People work local market supports primarily because their passion for yet they must exercise savvy survive, let alone accomplish ambitious goals. The chapter then venues record labels during 2010s contrast each preceding two decades. Starting 2020, experiences musicians presenters exemplify contrasting ways adopted new technologies pivoted practices.

Language: Английский

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Samba Jazz at Carnegie Hall

Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown, P. 149 - 182

Published: Nov. 13, 2024

Abstract Chapter 4, “Samba Jazz at Carnegie Hall: Genre Fusion in Instrumental Music,” explains how professional musicians who played Brazilian jazz New York City between 2000 and 2020 created performed improvised, up-tempo, instrumental music that is related to bossa nova. After considering musical fusion as its own genre addition a combination of stylistic ingredients, the chapter describes practices compositions influential Yorkers. The instrumentation harmony prevalent. Drummers transferred rhythms, timbres, roles samba percussion drum set ways align with conventional drumming. Musicians commingle swing feels (patterned uneven micro-durations notes) jazz. also utilizes instructional method books written by several local musicians.

Language: Английский

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SamBop, Brazuca, and Transnational Polymusicalities

Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown, P. 70 - 110

Published: Nov. 13, 2024

Abstract Chapter 2, “SamBop, Brazuca, and Transnational Polymusicalities,” uses the framework of transnational polymusicalities—combining transnationalism with ethnomusicology theory bimusicality—to interpret professional musicians who played Brazilian jazz in New York City between 2000 2020. The developed affinities identifications Brazil United States through their prolonged study practice music, gaining intercultural competencies language, customs, history, interpersonal relations. A discourse among about musical accents, akin to spoken concerns shortcomings a second music tradition relates assimilation. Despite these competencies, there are potential critiques inauthenticity appropriation. Theories diaspora, Afro-Atlantic, cosmopolitanism, postnationalism provide alternative overlapping insights. Example profiled.

Language: Английский

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“Bossa Nova York”

Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown, P. 111 - 148

Published: Nov. 13, 2024

Abstract Chapter 3, “ ‘Bossa Nova York’: Popularity, Singers, and Anxieties,” discusses several topics concerning the prominence of bossa nova among Brazilian-jazz fusions in New York City between 2000 2020 its relationships with jazz. A comparison renditions song “Dindi” by Antônio Carlos Jobim Aloysio de Oliveira illustrates distinctive musical interpretations nuances notation. Portraits three prominent singers nova—Maúcha Adnet, Luciana Souza, Vinícius Cantuária—highlight their connections to jazz practices interpretation, improvisation, experimentation. Turning North American stereotypes Brazil, suggests alternative notions Brazilian femininity romantic intimacy compared prevailing stereotype abroad dancing women Carnival parades hypersexuality. Lastly, musicians hold differing opinions about popularity York’s industry, which has caused anxieties for those who try perform other types

Language: Английский

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Introduction

Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown, P. 1 - 31

Published: Nov. 13, 2024

Abstract The introductory chapter, titled “Introduction: ‘New York Brazilian Jazz,’ ” argues that jazz in New City has different cultural meanings than the music Brazil, comparing author’s fieldwork to studies based Brazil. musicians United States try assimilate musically and culturally order build careers industry; whereas scholars of where latter is called “instrumental music,” have emphasized nationalist responses historical tensions US-Brazil relations anxieties about US imperialism. introduction defines jazz, situates its place York’s industry, summarizes goals work internationally diverse, professional who played between 2000 2020. After summarizing book chapters, it concludes with research methods, positionality, subjectivity.

Language: Английский

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