Oxford University Press eBooks, Journal Year: 2024, Volume and Issue: unknown

Published: Nov. 13, 2024

Abstract This book explains the music, demographics, cultural issues, and industry surrounding Brazilian jazz composed performed in New York City by professional musicians between 2000 2020. An ethnomusicological study based on original fieldwork fifty-plus interviews, describes how combine nationally associated genres navigate music while they expand their self-identities transnationally. Chapter 1 compares an dataset of 173 musicians, instruments, social categories (nationality, race, gender) to published data about immigrants United States York. It argues that systemic racism, sexism, classism have caused imbalanced demographics among musicians: approximately 70 percent are male white; half Brazilians, a quarter US-born Americans, rest immigrated from Japan, Israel, Canada, Europe, elsewhere South America. 2 applies framework transnational polymusicalities—combining transnationalism with bimusicality ethnomusicology—to interpret musicians’ affinities identifications Brazil States, acquired through prolonged engagement music. 3 considers popularity bossa nova Brazilian-jazz fusions, as well its relationship and, compared Carnival samba, alternative image femininity romance. 4 fusion samba jazz, improvised, up-tempo, instrumental style related nova. 5 outlines changing business practices show presenters, record producers 1990s into Covid-19 pandemic started

Language: Английский