Empirical Musicology Review,
Journal Year:
2023,
Volume and Issue:
17(2), P. 117 - 119
Published: Nov. 9, 2023
This
is
a
commentary
on
Quan
et
al.
(2022)
about
their
paper
world
music
open
earedness
and
functional
uses
of
in
relationship
with
psychological
sociocultural
adaptations
student
sojourners
Australia.
The
strengths
the
paper,
including
significance
cross-cultural
research
its
applications
for
mental
well-being,
are
discussed.
Additionally,
comparing
responses
through
control
groups
providing
clear
definitions
“novel
unfamiliar”
musical
excerpts
future
replications
suggested
more
detail
this
commentary.
European Journal of Neuroscience,
Journal Year:
2025,
Volume and Issue:
61(2)
Published: Jan. 1, 2025
Abstract
Experiencing
music
often
entails
the
perception
of
a
periodic
beat.
Despite
being
widespread
phenomenon
across
cultures,
nature
and
neural
underpinnings
beat
remain
largely
unknown.
In
last
decade,
there
has
been
growing
interest
in
developing
methods
to
probe
these
processes,
particularly
measure
extent
which
beat‐related
information
is
contained
behavioral
responses.
Here,
we
propose
theoretical
framework
practical
implementation
an
analytic
approach
capture
periodicity
empirical
signals
using
frequency‐tagging.
We
highlight
its
sensitivity
measuring
perceived
represented
range
continuous
time‐varying
with
minimal
assumptions.
also
discuss
limitation
this
respect
specificity
when
restricted
only
from
magnitude
spectrum
signal
introduce
novel
extension
based
on
autocorrelation
overcome
issue.
test
new
autocorrelation‐based
method
simulated
by
re‐analyzing
previously
published
data
show
how
it
can
be
used
process
measurements
brain
activity
as
captured
surface
EEG
adults
infants
response
rhythmic
inputs.
Taken
together,
related
methodological
advances
confirm
elaborate
frequency‐tagging
promising
window
into
processes
underlying
and,
more
generally,
temporally
coordinated
behaviors.
Music & Science,
Journal Year:
2025,
Volume and Issue:
8
Published: Jan. 1, 2025
Research
on
music
psychology
has
increased
exponentially
over
the
past
half
century,
providing
insights
a
wide
range
of
topics
underpinning
perception,
cognition,
and
production
music.
This
wealth
research
means
we
are
now
in
place
to
develop
specific,
testable
theories
music,
with
potential
impact
our
wider
understanding
human
biology,
culture,
communication.
However,
development
more
widely
applicable
inclusive
responses
requires
these
be
informed
by
data
that
is
representative
global
population
its
diverse
music-making
practices.
The
goal
present
paper
survey
current
state
field
terms
participant
samples
musical
used.
We
reviewed
coded
relevant
details
from
all
articles
published
Music
Perception,
Musicae
Scientiae,
Psychology
between
2010
2022.
found
psychologists
show
substantial
tendency
collect
young
adults
university
students
Western
countries
response
replicating
trends
seen
across
as
whole.
Even
collected
non-Western
tends
come
similar
demographic
studies
participants
(e.g.,
students,
adults).
Some
positive
toward
increasing
diversity
have
been
evidenced
decade,
although
there
still
much
work
done,
certain
subtopics
appear
prone
sampling
biases
than
others.
discuss
recent
methodological
developments
promote
further
diversification
highlight
subsequent
changes
will
needed
at
group
or
institutional
levels.
Experiencing
music
often
entails
the
perception
of
a
periodic
beat.
Despite
being
widespread
phenomenon
across
cultures,
nature
and
neural
underpinnings
beat
remain
largely
unknown.
In
last
decade,
there
has
been
growing
interest
in
developing
methods
to
probe
these
processes,
particularly
measure
extent
which
beat-related
information
is
contained
behavioral
responses.
Here,
we
propose
theoretical
framework
practical
implementation
an
analytic
approach
capture
periodicity
empirical
signals
using
frequency-tagging.
We
highlight
its
sensitivity
measuring
perceived
represented
range
continuous
time-varying
with
minimal
assumptions.
also
discuss
limitation
this
respect
specificity
when
restricted
only
from
magnitude
spectrum
signal,
introduce
novel
extension
based
on
autocorrelation
overcome
issue.
test
new
autocorrelation-based
method
simulated
by
re-analyzing
previously
published
data,
show
how
it
can
be
used
process
measurements
brain
activity
as
captured
surface
EEG
adults
infants
response
rhythmic
inputs.
Taken
together,
related
methodological
advances
confirm
elaborate
frequency-tagging
promising
window
into
processes
underlying
and,
more
generally,
temporally
coordinated
behaviors.
What
is
music,
and
why
did
it
evolve?
How
can
we
understand
the
unity
diversity
found
throughout
world’s
music?
Scientific
attempts
to
answer
these
questions
through
cross-cultural
comparison
stalled
during
20th
century
have
only
recently
begun
make
a
resurgence.
In
this
book,
Patrick
Savage
synthesizes
recent
advances
outline
new
unified
theoretical/methodological
framework
compare
all
of
music.
This
takes
advantage
scientific
theories
methods
–
particularly
from
in
computer
science,
psychology,
genetic
anthropology,
cultural
evolution
apply
comparative
musicological
research
longstanding
about
origins
music
contemporary
issues
including
copyright
law
UNESCO
policy.
doing
so,
he
argues
for
an
inclusive,
multidisciplinary
field
that
combines
qualitative
traditionally
employed
by
musicologists
anthropologists
with
quantitative
natural
sciences.
This
preprint
is
a
public
version
of
my
peer
review
this
preprint,
modified
slightly
to
anonymize
the
name
journal
that
requested
review.
I
am
posting
it
as
part
commitment
making
reviews
much
possible.
appreciate
chance
provocative
manuscript
[Sauvé
&
Bhachu,
2023].
I’m
sympathetic
authors’
goals
(and
have
cited
related
paper
by
first
author).
But
must
be
blunt:
can’t
imagine
getting
published
in
peer-reviewed
scientific
anything
like
it’s
present
form.
So
unfortunately
recommend
rejection,
while
encouraging
authors
either
fundamentally
rewrite
their
(valuable)
ideas
or
submit
more
suitable
publication
outlet.
Research
on
music
psychology
has
increased
exponentially
over
the
past
half
century,
providing
insights
a
wide
range
of
topics
underpinning
perception,
cognition,
and
production
music.
This
wealth
research
means
we
are
now
in
place
to
develop
specific,
testable
theories
music,
with
potential
impact
our
wider
understanding
human
biology,
culture,
communication.
However,
development
more
widely
applicable
inclusive
responses
requires
these
be
informed
by
data
that
is
representative
global
population
its
diverse
music-making
practices.
The
goal
present
paper
survey
current
state
field
terms
participant
samples
musical
used.
We
reviewed
coded
relevant
details
from
all
articles
published
Music
Perception,
Musicae
Scientiae,
Psychology
between
2010
2022.
found
psychologists
show
substantial
tendency
collect
young
adults
university
students
Western
countries
response
replicating
trends
seen
across
as
whole.
Even
collected
non-Western
tends
come
similar
demographic
studies
participants
(e.g.,
students,
adults).
Some
positive
toward
increasing
diversity
have
been
evidenced
decade,
although
there
still
much
work
done,
certain
subtopics
appear
prone
sampling
biases
than
others.
discuss
recent
methodological
developments
promote
further
diversification
highlight
subsequent
changes
will
needed
at
group
or
institutional
levels.
Journal of Intercultural Studies,
Journal Year:
2024,
Volume and Issue:
unknown, P. 1 - 21
Published: July 14, 2024
As
our
societies
become
increasingly
multicultural,
collective
ability
to
understand
and
tolerate
differences
is
critical
for
social
cohesion.
Music
has
been
used
by
many
organisations
help
foster
connection
across
cultural
divides,
yet
research
suggests
it
not
always
a
simple
exchange.
This
paper
tests
the
feasibility
of
framework
formerly
proposed
current
authors
helping
people
navigate
intercultural
music
experience,
specifically
when
facilitating
Intercultural
Engagement
(ICME).
Interviews
observations
with
community
artists
working
in
ICME
test
real-world
applicability
framework.
Results
support
all
elements
existing
add
both
nuance
detail
understanding.
The
findings
also
strongly
indicated
that
efforts
this
area
should
focus
on
supporting
already
embedded
within
communities,
rather
than
solely
external
organisations.
Ultimately,
we
argue
need
further
community-engaged
identify
how
can
best
practitioners.
Psychology of Music,
Journal Year:
2024,
Volume and Issue:
unknown
Published: Dec. 24, 2024
In
the
last
decade,
construct
of
‘culture’
was
featured
very
prominently
in
music
cognition
research.
However,
researchers
have
adopted
a
narrow
conceptualisation
and
limited
repertoire
methodologies
when
investigating
‘culture’.
The
purpose
this
article
is
to
expand
on
recommendations
Jacoby
et
al.
propose
novel
approach
cross-cultural
investigations
affective
experiences
with
music.
First,
I
critically
examine
how
culture
has
been
operationalised
previous
studies
present
theoretical
framework
outlining
aspects
within
context.
My
proposed
recognises
that
manifests
individual,
music,
environment
context,
these
components
are
continually
mutually
constituting
one
another.
Second,
argue
self
constituted
relation
cultures
part
hypothesise
ways
self-construal
theory,
as
way
operationalising
self,
can
enhance
current
understanding
impacts
empirical
evidence
reviewed
shows
influences
motivation,
cognition,
emotion
outside
musical
contexts,
which
may
similarly
impact
preferences,
perceived
emotions,
felt
emotions
Finally,
reflect
implications
for
future
developments
psychology
theory
Self-construal,
means
potentially
elucidate
similarities
differences
both
between
cultural
contexts.
Examining
be
step-change
advance
psychology.