It’s time to open your ears to world music: Commentary on Quan et al. (2022) DOI Creative Commons
Shafagh Hadavi

Empirical Musicology Review, Journal Year: 2023, Volume and Issue: 17(2), P. 117 - 119

Published: Nov. 9, 2023

This is a commentary on Quan et al. (2022) about their paper world music open earedness and functional uses of in relationship with psychological sociocultural adaptations student sojourners Australia. The strengths the paper, including significance cross-cultural research its applications for mental well-being, are discussed. Additionally, comparing responses through control groups providing clear definitions “novel unfamiliar” musical excerpts future replications suggested more detail this commentary.

Language: Английский

Measuring self‐similarity in empirical signals to understand musical beat perception DOI Creative Commons
Tomas Lenc, Cédric Lenoir, Peter E. Keller

et al.

European Journal of Neuroscience, Journal Year: 2025, Volume and Issue: 61(2)

Published: Jan. 1, 2025

Abstract Experiencing music often entails the perception of a periodic beat. Despite being widespread phenomenon across cultures, nature and neural underpinnings beat remain largely unknown. In last decade, there has been growing interest in developing methods to probe these processes, particularly measure extent which beat‐related information is contained behavioral responses. Here, we propose theoretical framework practical implementation an analytic approach capture periodicity empirical signals using frequency‐tagging. We highlight its sensitivity measuring perceived represented range continuous time‐varying with minimal assumptions. also discuss limitation this respect specificity when restricted only from magnitude spectrum signal introduce novel extension based on autocorrelation overcome issue. test new autocorrelation‐based method simulated by re‐analyzing previously published data show how it can be used process measurements brain activity as captured surface EEG adults infants response rhythmic inputs. Taken together, related methodological advances confirm elaborate frequency‐tagging promising window into processes underlying and, more generally, temporally coordinated behaviors.

Language: Английский

Citations

0

Participant and Musical Diversity in Music Psychology Research DOI Creative Commons
Kelly Jakubowski, Nashra Ahmad, Jamés O. Armitage

et al.

Music & Science, Journal Year: 2025, Volume and Issue: 8

Published: Jan. 1, 2025

Research on music psychology has increased exponentially over the past half century, providing insights a wide range of topics underpinning perception, cognition, and production music. This wealth research means we are now in place to develop specific, testable theories music, with potential impact our wider understanding human biology, culture, communication. However, development more widely applicable inclusive responses requires these be informed by data that is representative global population its diverse music-making practices. The goal present paper survey current state field terms participant samples musical used. We reviewed coded relevant details from all articles published Music Perception, Musicae Scientiae, Psychology between 2010 2022. found psychologists show substantial tendency collect young adults university students Western countries response replicating trends seen across as whole. Even collected non-Western tends come similar demographic studies participants (e.g., students, adults). Some positive toward increasing diversity have been evidenced decade, although there still much work done, certain subtopics appear prone sampling biases than others. discuss recent methodological developments promote further diversification highlight subsequent changes will needed at group or institutional levels.

Language: Английский

Citations

0

Measuring self-similarity in empirical signals to understand musical beat perception DOI Open Access
Tomas Lenc, Cédric Lenoir, Peter E. Keller

et al.

Published: April 23, 2024

Experiencing music often entails the perception of a periodic beat. Despite being widespread phenomenon across cultures, nature and neural underpinnings beat remain largely unknown. In last decade, there has been growing interest in developing methods to probe these processes, particularly measure extent which beat-related information is contained behavioral responses. Here, we propose theoretical framework practical implementation an analytic approach capture periodicity empirical signals using frequency-tagging. We highlight its sensitivity measuring perceived represented range continuous time-varying with minimal assumptions. also discuss limitation this respect specificity when restricted only from magnitude spectrum signal, introduce novel extension based on autocorrelation overcome issue. test new autocorrelation-based method simulated by re-analyzing previously published data, show how it can be used process measurements brain activity as captured surface EEG adults infants response rhythmic inputs. Taken together, related methodological advances confirm elaborate frequency-tagging promising window into processes underlying and, more generally, temporally coordinated behaviors.

Language: Английский

Citations

2

Music and Mental Imagery: Editorial DOI Creative Commons
Mats B. Küssner, Liila Taruffi, Solange Glasser

et al.

Music & Science, Journal Year: 2024, Volume and Issue: 7

Published: Jan. 1, 2024

Language: Английский

Citations

1

Comparative musicology: The science of the world’s music DOI Open Access
Patrick E. Savage

Published: Sept. 18, 2022

What is music, and why did it evolve? How can we understand the unity diversity found throughout world’s music? Scientific attempts to answer these questions through cross-cultural comparison stalled during 20th century have only recently begun make a resurgence. In this book, Patrick Savage synthesizes recent advances outline new unified theoretical/methodological framework compare all of music. This takes advantage scientific theories methods – particularly from in computer science, psychology, genetic anthropology, cultural evolution apply comparative musicological research longstanding about origins music contemporary issues including copyright law UNESCO policy. doing so, he argues for an inclusive, multidisciplinary field that combines qualitative traditionally employed by musicologists anthropologists with quantitative natural sciences.

Language: Английский

Citations

7

Ethical research requires ethical citation practices: Public peer review of Sauvé & Bhachu (2023) “Let’s talk about it: Positivism and critical theory in dialogue” DOI Open Access
Patrick E. Savage

Published: March 28, 2024

This preprint is a public version of my peer review this preprint, modified slightly to anonymize the name journal that requested review. I am posting it as part commitment making reviews much possible. appreciate chance provocative manuscript [Sauvé & Bhachu, 2023]. I’m sympathetic authors’ goals (and have cited related paper by first author). But must be blunt: can’t imagine getting published in peer-reviewed scientific anything like it’s present form. So unfortunately recommend rejection, while encouraging authors either fundamentally rewrite their (valuable) ideas or submit more suitable publication outlet.

Language: Английский

Citations

0

Editorial Reflections 2017–2024, Acknowledgements, and Announcing a New Editor DOI
Catherine Stevens

Music Perception An Interdisciplinary Journal, Journal Year: 2024, Volume and Issue: 41(5), P. 323 - 325

Published: May 16, 2024

Language: Английский

Citations

0

Participant and Musical Diversity in Music Psychology Research DOI Open Access
Kelly Jakubowski,

Nashra Ahmad,

James Edward Armitage

et al.

Published: May 27, 2024

Research on music psychology has increased exponentially over the past half century, providing insights a wide range of topics underpinning perception, cognition, and production music. This wealth research means we are now in place to develop specific, testable theories music, with potential impact our wider understanding human biology, culture, communication. However, development more widely applicable inclusive responses requires these be informed by data that is representative global population its diverse music-making practices. The goal present paper survey current state field terms participant samples musical used. We reviewed coded relevant details from all articles published Music Perception, Musicae Scientiae, Psychology between 2010 2022. found psychologists show substantial tendency collect young adults university students Western countries response replicating trends seen across as whole. Even collected non-Western tends come similar demographic studies participants (e.g., students, adults). Some positive toward increasing diversity have been evidenced decade, although there still much work done, certain subtopics appear prone sampling biases than others. discuss recent methodological developments promote further diversification highlight subsequent changes will needed at group or institutional levels.

Language: Английский

Citations

0

Exploring the Real-World Applicability of an Intercultural Music Engagement (ICME) Framework DOI Creative Commons

Alexander H. D. Crooke,

Jane W. Davidson, Timothy Fraser

et al.

Journal of Intercultural Studies, Journal Year: 2024, Volume and Issue: unknown, P. 1 - 21

Published: July 14, 2024

As our societies become increasingly multicultural, collective ability to understand and tolerate differences is critical for social cohesion. Music has been used by many organisations help foster connection across cultural divides, yet research suggests it not always a simple exchange. This paper tests the feasibility of framework formerly proposed current authors helping people navigate intercultural music experience, specifically when facilitating Intercultural Engagement (ICME). Interviews observations with community artists working in ICME test real-world applicability framework. Results support all elements existing add both nuance detail understanding. The findings also strongly indicated that efforts this area should focus on supporting already embedded within communities, rather than solely external organisations. Ultimately, we argue need further community-engaged identify how can best practitioners.

Language: Английский

Citations

0

The important role of self in cross-cultural investigations of affective experiences with music DOI Creative Commons
Jonathan Tang

Psychology of Music, Journal Year: 2024, Volume and Issue: unknown

Published: Dec. 24, 2024

In the last decade, construct of ‘culture’ was featured very prominently in music cognition research. However, researchers have adopted a narrow conceptualisation and limited repertoire methodologies when investigating ‘culture’. The purpose this article is to expand on recommendations Jacoby et al. propose novel approach cross-cultural investigations affective experiences with music. First, I critically examine how culture has been operationalised previous studies present theoretical framework outlining aspects within context. My proposed recognises that manifests individual, music, environment context, these components are continually mutually constituting one another. Second, argue self constituted relation cultures part hypothesise ways self-construal theory, as way operationalising self, can enhance current understanding impacts empirical evidence reviewed shows influences motivation, cognition, emotion outside musical contexts, which may similarly impact preferences, perceived emotions, felt emotions Finally, reflect implications for future developments psychology theory Self-construal, means potentially elucidate similarities differences both between cultural contexts. Examining be step-change advance psychology.

Language: Английский

Citations

0