We
know
little
about
the
psychological
experiences
of
children
and
young
people
who
have
participated
in
virtual
group
music-making
during
Coronavirus
disease
(COVID-19)
pandemic.
Adopting
a
mixed-methods
design,
we
worked
across
three
music
education
hubs
UK,
with
total
13
groups.
These
included
range
mainstream
ensembles,
inclusive
ensembles
targeting
special
educational
needs
and/or
disabilities,
production
spaces,
from
lower
socio-economic
backgrounds.
Reported
progress
intra-
inter-personal
outcomes
was
investigated
using
quantitative
qualitative
staff
session
reports,
which
were
collected
since
before
pandemic
(n1
for
in-person
sessions
=
87,
n2
68),
surveys
distributed
to
tutors,
people,
their
parents
first
second
United
Kingdom
(UK)
national
lockdowns
(n3
responses
240,
n4
96).
Satisfaction
basic
self-determination
theory
relation
joint
spaces
also
observed
real
time
by
researchers
performing
checklist
observations
on
16
separate
occasions.
Findings
indicated
that
groups
represented
meaningful
resource
participating
especially
considering
lack
opportunities
offered
schools
other
extra-curricular
activities.
Through
participation
activities,
used
as
tool
self-expression
emotion
management,
restored
lost
musical
identities
confidence,
preserved
treasured
social
connections.
Virtual
alternatives
appear
indirectly
nurture
sense
belongingness,
mediated
supportive
behaviours,
but
direct
connection,
has
been
widely
reported
experiences,
not
Frontiers in Psychology,
Journal Year:
2021,
Volume and Issue:
12
Published: July 19, 2021
The
Covid-19
pandemic
severely
limited
collaboration
among
musicians
in
rehearsal
and
ensemble
performance,
demanded
radical
shifts
collaborative
practices.
Understanding
the
nature
of
these
changes
music
creators'
patterns
collaboration,
as
well
how
shifted
prioritizations
adapted
their
use
available
technologies,
can
offer
invaluable
insights
into
resilience
importance
different
aspects
musical
collaboration.
In
addition,
assessing
networks
creators
improve
current
understanding
genre
style
formation
evolution.
We
used
an
internet
survey
distributed
to
creators,
including
performers,
composers,
producers,
engineers,
all
active
before
during
pandemic,
assess
perceptions
music,
practice,
technology
were
impacted
by
shelter-in-place
orders
associated
with
Covid-19,
they
over
course
pandemic.
This
was
followed
Zoom
interviews
a
subset
participants.
Along
confirming
previous
results
showing
increased
reliance
on
nostalgia
for
inspiration,
we
found
that
participants'
behaviors
surprisingly
resilient
pandemic-related
changes.
participant
responses
appeared
be
driven
relatively
small
number
underlying
factors,
representing
approaches
such
extroversion
or
introversion
,
inspiration
clusters
activist
musicking
clusters.
Social Sciences & Humanities Open,
Journal Year:
2022,
Volume and Issue:
6(1), P. 100297 - 100297
Published: Jan. 1, 2022
This
scoping
review
synthesises
published
literature
on
the
experiences
of
professional
and
amateur
performing
artists
during
COVID-19
their
perceptions
challenges
opportunities
faced.
Six
electronic
databases
were
searched
for
English-language
articles
containing
primary
data
this
topic;
twenty-one
studies
reviewed.
Themes
included
loss
work,
financial
impact,
concerns
about
future,
psychological
wellbeing,
social
connections,
continuing
creative
pursuits,
inequalities.
Participants
reported
both
detrimental
effects
lockdown
such
as
anxiety
sleep
problems
positive
including
reduced
stress
enjoyment
having
more
free
time.
Most
continued
pursuits
throughout
lockdown,
most
commonly
shifting
to
online
platforms.
However,
many
barriers
reported,
lack
technological
expertise
or
equipment.
Concerns
raised
inequality,
in
particular
racial
disparities
impact
pandemic
additional
pressures
faced
by
performers
with
disabilities;
insufficient
funds
afford
equipment
needed
shift
remote
performing;
caring
responsibilities.
It
is
important
that
have
access
peer
support;
education
digital
technologies
incorporated
into
future
arts
education;
inequities
are
addressed
ensure
needs
diverse
communities
met.
Building
on
her
earlier
work,
'The
Power
of
Music:
A
Research
Synthesis
the
Impact
Actively
Making
Music
Intellectual,
Social
and
Personal
Development
Children
Young
People',
this
volume
by
Susan
Hallam
Evangelos
Himonides
is
an
important
new
resource
in
field
music
education,
practice,
psychology.
Social Sciences & Humanities Open,
Journal Year:
2022,
Volume and Issue:
6(1), P. 100296 - 100296
Published: Jan. 1, 2022
The
COVID-19
pandemic
has
had
a
profound
impact
on
the
arts
sector,
disrupting
livelihoods
and
professional
networks
accentuating
instability
that
is
common
for
creative
workers.
Gaps
in
support
grassroots
organisations
freelance
workers
have
highlighted
structural
inequalities
within
industry,
significant
challenges
individual
early
stages
of
their
career.
Yet,
also
emphasised
importance
as
community
resource
its
role
supporting
wellbeing
togetherness.
This
qualitative
study
explored
experiences
career
workers,
focusing
impacts
upon
how
it
shaped
future
directions.
Sixteen
cultural
across
variety
sectors
including
theatre,
film,
circus,
music,
literature
participated
solo,
semi-structured
interviews
during
April-June
2021.
Thematic
analysis
identified
three
overarching
themes:
(i)
'Pandemic
precarity
practice',
(ii)
'PostCOVID
I:
Inclusivity
diversifying
audiences',
(iii)
II:
Adapting,
developing,
practices'.
Overall,
capture
an
workforce
that,
while
committed
engaged
with
practice,
seeks
more
equitable,
fairer,
diverse
industry
protects
artists
engages
flexibly
broader
audiences.
Frontiers in Psychology,
Journal Year:
2025,
Volume and Issue:
15
Published: Jan. 6, 2025
This
study
investigated
the
well-being
of
16
professional
female
musicians
through
lens
Self-Determination
Theory,
focusing
on
satisfaction
their
psychological
needs
for
autonomy,
competence,
and
relatedness,
as
well
unique
challenges
they
encounter
in
careers.
Semi-structured
interviews
were
undertaken
analyzed
using
thematic
analysis.
Three
broad
themes
10
sub-themes
emerged
from
interviews.
The
findings
demonstrate
that
is
closely
tied
to
relatedness.
Conversely,
when
these
are
frustrated,
negatively
impacted.
Other
intrinsic
motivation
gender
specific
within
music
industry.
highlights
need
supportive
environments
enhance
(and
performers
a
whole),
addressing
both
gender-related
face.
Cultural Trends,
Journal Year:
2022,
Volume and Issue:
32(5), P. 449 - 473
Published: May 30, 2022
There
is
a
dearth
of
qualitative
research
exploring
how
freelancers
working
in
the
cultural
industries
have
been
affected
during
COVID-19.
In
particular,
there
lack
socioeconomic
and
psychosocial
adversities
may
changed
or
evolved,
these
changes
perceived
subjectively
experienced
by
freelance
workers.
This
study
builds
on
interviews
carried
out
July–November
2020
(n
=
20)
findings
from
follow-up
conducted
May–July
2021
16).
It
presents
an
inequality
experiences
connected
to
range
factors,
showing
some
small
(e.g.
kind
work
out),
with
others
experiencing
major
leaving
sector
completely).
concludes
call
for
highly
bespoke
financial
psychological
support,
as
well
need
rethink
what
value
this
workforce
"new
normal",
considering
changing
valuing
processes.
Frontiers in Psychology,
Journal Year:
2021,
Volume and Issue:
12
Published: Aug. 5, 2021
We
know
little
about
the
psychological
experiences
of
children
and
young
people
who
have
participated
in
virtual
group
music-making
during
Coronavirus
disease
(COVID-19)
pandemic.
Adopting
a
mixed-methods
design,
we
worked
across
three
music
education
hubs
UK,
with
total
13
groups.
These
included
range
mainstream
ensembles,
inclusive
ensembles
targeting
special
educational
needs
and/or
disabilities,
production
spaces,
from
lower
socio-economic
backgrounds.
Reported
progress
intra-
inter-personal
outcomes
was
investigated
using
quantitative
qualitative
staff
session
reports,
which
were
collected
since
before
pandemic
(n1
for
in-person
sessions
=
87,
n2
68),
surveys
distributed
to
tutors,
people,
their
parents
first
second
United
Kingdom
(UK)
national
lockdowns
(n3
responses
240,
n4
96).
Satisfaction
basic
self-determination
theory
relation
joint
spaces
also
observed
real
time
by
researchers
performing
checklist
observations
on
16
separate
occasions.
Findings
indicated
that
groups
represented
meaningful
resource
participating
especially
considering
lack
opportunities
offered
schools
other
extra-curricular
activities.
Through
participation
activities,
used
as
tool
self-expression
emotion
management,
restored
lost
musical
identities
confidence,
preserved
treasured
social
connections.
Virtual
alternatives
appear
indirectly
nurture
sense
belongingness,
mediated
supportive
behaviors,
but
direct
connection,
has
been
widely
reported
experiences,
not
Frontiers in Psychology,
Journal Year:
2022,
Volume and Issue:
13
Published: Feb. 4, 2022
In
the
past
2
years
our
world
has
experienced
huge
disruptions
because
of
COVID-19.
The
performing
arts
not
been
insulated
from
these
tumultuous
events
with
entire
music
industry
being
thrown
into
a
state
instability
due
to
paralyzing
effects
COVID-19
pandemic.
this
study,
we
examined
how
classical
professional
musicians'
ability
cope
uncertainty,
economic
struggles,
and
work-life
interplay
during
was
influenced
by
various
factors
that
affect
crucial
part
development
sustainment
careers:
practice.
We
analyzed
responses
an
online
survey
309
musicians
41
countries
in
Europe
Latin
America
across
three
pandemic
stages:
immediately
before
pandemic,
when
vaccines
were
made
available
lockdowns
reduced
or
lifted.
Structural
equation
modeling
indicates
relationships
between
perceptions
threat
at
peak
Self-
External-Based
Motivation
for
periods
which
respondents
asked
reflect.
Findings
suggest
who
are
more
internally
self-motivated
seemed
be
resilient
threats
capable
managing
their
practicing
routines,
whereas
externally
motivated
reduction
dedicated
time
practice
lockdown.
pedagogical
policy
implications,
as
well
future
lines
research
oriented
toward
supporting
assessing
understanding
motivational
drives
so
they
can
situations
disrupt
lives.
Musicae Scientiae,
Journal Year:
2022,
Volume and Issue:
26(4), P. 777 - 798
Published: Dec. 1, 2022
Musicians,
both
professional
and
amateur
creators
of
music,
faced
economic,
social,
psychological
hardship
during
the
pandemic.
In
this
article,
we
use
identity
process
theory
from
social
psychology
to
interpret
potential
impact
COVID-19
pandemic
on
processes
among
musicians,
including
significance
resilience
threat
their
experience,
strategies
that
may
be
employed
in
response
possible
threats
identity.
First,
provide
a
brief
overview
empirical
research
into
well-being
musicians
pandemic,
which
has
shown
for
multitude
coping
deployed
by
period,
most
notably
move
virtual
settings.
We
exemplify
theoretical
observations
made
regarding
through
three
case
studies
focusing
quite
different
used
deal
with
2020–2021
lockdowns.
Awareness
risks
variety
they
can
deploy
against
it
could
valuable
others
creative
industries
facing
future
societal
upheavals.
crises,
music
create
themselves
support
others.